
An essay on the refurbished “Islamic art” galleries of New York’s Metropolitan Museum of Art (published in the National)
During the past decade of fulminating and fretting, those of us who live in Europe and North America have become quite familiar with the term “the Islamic world”. Rarely do a few words try to say so much. The phrase scrapes by as a kind of shorthand, an easy way of fusing geography and sociology.
It allows us to speak in the singular about a great profusion of peoples and places. The “Islamic world” is not simply a space where 1.5 billion Muslims happen to live, but a space that can be understood in generalisations. We hear of the Islamic world almost always in reference to its political and social problems: the plight of democracy in the Islamic world, the crisis of women’s rights in the Islamic world, the rise of extremism in the Islamic world, and so forth.
The Brookings Institution, a leading Washington think-tank, maintains a division to study the thorny subject of “US relations with the Islamic world”. This broad remit still seems logical to many politicians and commentators – never mind the diversity of Muslim communities and countries across the globe, or the vastly different levels of religiosity and freedom from Indonesia to Somalia to Morocco.
Strangely, the “Islamic world” has no real counterpart in the 21st century. It is untenable now to speak of a “Christian world”, or a “Buddhist world”, or even a “Hindu world”. In each case, the adjective proves entirely insufficient, even misleading in understanding the noun – can millions of people be distilled to their faith? And yet the “Islamic world” has proved a more resilient concept, routinely invoked by Muslims and non-Muslims alike.
Some institutions are wary of the vagueness of this language. Eight years ago, New York’s Metropolitan Museum of Art closed the galleries then known as the “Islamic Wing” for renovation. They were reopened this November under a new name. Visitors now pour into the redesigned permanent collection of “Art from the Arab Lands, Turkey, Iran, Central Asia and Later South Asia”.
What the galleries’ new name has lost in brevity it gains in precision. There is safety in inelegant fact. A monolithic Islam does not loom over the exhibition. The collection’s numerous books, rugs, and pots – the holy trinity of much Middle Eastern and South Asian art – appear as representatives of particular periods and places, from early medieval Spain to Mughal South Asia. As you move through the various galleries, you travel from region to region, dynasty to dynasty. The emphasis here lies in the diversity and complexity within the cultural heritage of Islam. Navina Haidar, the curator of the collection, insists that the Islamic world is “not one world, but many; not another world, but our own”.
Anybody should want to claim the exquisite world of this exhibition as their own. To roam the galleries is to drift from wonder to wonder. A 12th-century incense burner from Seljuk Iran is shaped like a lion, engraved in fine filigree. When used, it would breathe smoke through its bronze teeth. Turn the corner and you come to a cavernous room filled only with carpets, each several centuries old. They tumble from ceiling to floor like waterfalls in imperious red and gold cascades. Elsewhere, an astrolabe from medieval Yemen demonstrates both aesthetic and scientific accomplishment, with inscriptions dancing over the careful gradations of the cosmos. The viewer can easily get lost in all the shimmering ornamentation. There need be no reason to immerse yourself in the collection apart from surrendering to its undeniable beauty.




The IPL’s reliance on foreign cheerleaders reinforces unsavoury Indian stereotypes about sex and women (Published in the
Occupy everywhere
31/10/2011 by kanishktharoor
As the world watches, can the Wall Street protesters make enough noise? (Published in The Caravan, 1 November, 2011)
Most demonstrations are held with the conviction that they serve a cause far bigger than the sum of their parts. I have seen many examples of this faith in the United States: the three pro-Palestinian pensioners who every Sunday berated passers-by in my glacially indifferent college town; the meagre picket lines of union workers at a doomed New York City hospital, shivering under the nose of a giant inflatable rat. They were sustained by the hope that their demands would be met, but also by the belief that they represented something larger: that they were not a lonely few, that they stood for all colonised and oppressed peoples. Or that they went on strike to protect the dignity of all labour. Clutching worn placards and shouting tired slogans, did they ever wonder if their pious efforts had all the impact of trees falling in a silent, unknowable forest?
The current Occupy Wall Street protesters in the US have an indefatigable, brazen belief in their broad relevance. The optimism is electric, the excitement contagious in the regular assemblies, rallies, and marches that have captured public places and public attention. Occupy Wall Street activists see themselves as part of a historical moment of social unrest around the world. Themes of universality and ubiquity shade much of the movement’s rhetoric. “All day, all year, occupy everywhere,” goes one chant. “The whole world is watching,” insists another.
Somebody must be watching. Less then one month after the initial occupation of lower Manhattan’s Zuccotti Park, Occupy Wall Street stirred a day of coordinated protests across continents. On 15 October, demonstrators flooded the streets of cities in the United States and Europe. In New York, they stormed the iconic Times Square. In London, they rallied in front of St Paul’s Cathedral. In cities in Spain and Greece, thousands flocked to central squares.
The protests borrow from an increasingly familiar global style of rebellion. Placards bearing the words “We are the 99%” (Occupy Wall Street’s defining slogan) appear in London, in Germany and elsewhere. Occupy Wall Street protesters compare their encampment in Zuccotti Park to Tahrir Square in Cairo. Activists called 15 October a “global day of rage”, invoking a term often used during the Arab Spring. The “people’s mic” (a form of throaty Chinese whispers used to make up for the lack of a PA system, because New York City law requires a permit for “amplified sound” at demonstrations) is now a feature of gatherings in other countries, even when protesters have access to mics and loudspeakers. Methods and philosophies of organisation spread across borders. I sat in New York’s Washington Square Park in mid-October, watching protest organisers teach fresh-faced students the various protocols and hand-signals that comprise “direct democratic process”. The same gestures and procedures have been used across Europe in building ostensibly leaderless (“horizontal” and non-hierarchical” in the activist dialect) movements. Both the form and content of all these protests have gone viral, speeding around the globe in an age of hyper-communication.
But beyond talk of “memes” and “inter-connectivity”, the protesters feel tied together by shared circumstance. “The rapid spread of the protests,” Occupy Wall Street organisers announced on their website on 15 October, “is a grassroots response to the overwhelming inequalities perpetuated by the global financial system and transnational banks.” Though there are obvious differences between each national situation, many grievances are held in common: the rejection of the ideology of government austerity; the critique of the relative impunity afforded to the financial establishment; and the fatigue with sclerotic political systems.
If you go to Zuccotti Park and shuffle between the ad hoc cooking, sleeping and computing areas of the camp, you will invariably bump into a Dutch television crew or Japanese journalists or a team of Spanish radio reporters. The notion that “the whole world is watching” isn’t entirely fanciful. Such enthusiastic interest instils confidence in many activists involved in the Occupy Wall Street movement. Their cause has huge appeal. After all, people from around the world help the occupiers of Zuccotti Park in numerous ways, including by ordering them quantities of pizzas and Mexican tacos from local restaurants. (Thanks to credit cards and the Internet, the 21st century brings us the solidarity of the dialling finger and the take-out menu.)
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